Keith Moon | Two Sides Of The Moon – CD Review

As an avid vinyl enthusiast, I’m always updating my collection and recently found a copy of a record I had been seeking out for years. As a big fan of...

Jefferson Airplane | Surrealistic Pillow – Lost Gem

The Jefferson Airplane were the first blip on the radar screen tracking the San Francisco buzz of the mid 60s. With an inauspicious debut, the Airplane garnered little appraisal...

Bad Company | Merchants Of Cool – Lost Gem

Given the nature of the beast, it can be tricky following the membership of Bad Company these days. The original four seem to float in and out of the...

Rick Wakeman | No Earthly Connection – CD Review

Matched only by Keith Emerson in classic 70s prog rock keyboard wizardry, Rick Wakeman was/is one of the most prominent musicians of the last 50 years. He has not...

Yes | Drama – CD Review

From heavy guitars to the semi-hit staccato impressiveness of "Tempus Fugit" to trying to discern where vocalist Trevor Horn doesn't sound like Jon Anderson (but surprised at how much he does),...

The Pretty Things | S.F. Sorrow – Lost Gem

The Pretty Things usually take a backseat to such frontliners as the Rolling Stones, the Who and the Kinks. Funny thing is guitarist Dick Taylor was in the Stones...

The Who | The Who By Numbers – CD Review

The Who By Numbers, the Who’s seventh album, might just be the band’s forgotten masterpiece. The first Who album produced solely by longtime Who associate producer Glyn Johns, this is the...

Robert Plant | Dreamland – Lost Gem

Robert Plant has never been afraid to veer away from the monolithic overtones of Led Zeppelin. Early in his solo career, he walked a fine line between self-parody and...

David Bowie | The Rise And Fall Of Ziggy Stardust And The Spiders From...

Loosely based on the characterizations of "A Clockwork Orange" — but of a much more provocative nature — The Rise And Fall Of Ziggy Stardust And The Spiders From Mars more...

David Bowie | Bowie At The Beeb – Los Gem

David Bowie emerged during the late 60s, gangly and fresh-faced amongst his more bohemian, paisley-powered contemporaries. And while his delivery was deeply steeped in a sort of transcendental folk/mod...