The Suzi Quatro Interview (2022)

By Greg Prato Whether it be inspiring countless rockers — both female and male — with a string of early 70s classic singles (“Can The Can,” “48 Crash,” “Devil Gate...

The Steve Morse Interview (2010)

By Shawn Perry Of the many musicians I have had the pleasure to interview, Steve Morse is probably one of the most fascinating. To watch him handle the guitar is...

Mark Farner: Back In Once Again

By Shawn Perry Music fans and sideline observers know Mark Farner as the “shirtless” guitar god, frontman singer and songwriter for Grand Funk Railroad — a band he led to...

The Gary Brooker Interview (2019)

By Shawn Perry It was the Summer of 1967 and there was a surge of radical activity on both sides of the pond. You had the free spirited hippies in...

The Ian Anderson Interview (2018)

By Shawn Perry On February 2, 1968, Jethro Tull made their worldwide debut as a four-piece blues band at the world-famous Marquee Club. Fifty years later, the music of Jethro...

The Mick Box Interview (2014)

By Ralph Greco, Jr. Photos by Ron Lyon Mick Box is a founding member and the only remaining original member in Uriah Heep. He’s weathered the death of original singer David...

The Fee Waybill Interview (2019)

By Ira Kantor From their earliest days, art-rock collective the Tubes set about creating a musical experience that seemed to borrow the best elements of Alice Cooper, Let’s Make a...

The Geoff Downes Interview (2010)

By Ralph Greco, Jr. Geoff Downes — keyboardist extraordinaire; ex-Buggle; Rick Wakeman's replacement in Yes; founding member of Asia (and the only mainstay through every incarnation of Asia); John Wetton’s...

The Eric Woolfson Interview (2009)

By Ralph Greco, Jr. Though the famous Pink Floyd/Beatles engineer Alan Parsons' name was the one on the project, The Alan Parsons Project was really a partnership. The other "guy"...

Ghost Hounds: On The Loose & Haunting The Charts

By Shawn Perry This isn’t Ghost Hounds’ first rodeo, but it might just be their best showing. I can sense that as I enter the inner sanctum of Gibson’s 10th...