Let me say from the outset I am not a big R&B fan. Itâs just not
my cup of tea. I appreciate it, love a lot of the artists in the field (if I
canât actually name many of them), but itâs just not my thang. That
said, if we donât get some more of Sam Moore this very instant somebody,
shoot me! Moore is a legend after all, but heâs still got his pipes, his
soul, his powerâŚhis everything! Dutifully produced by Randy Jackson (yeah
that Randy Jackson) Overnight Sensation, Mr. Mooreâs
latest CD, is filled with classic tunes, a kick-ass band, and some of the finest
modern vocals from the one and only Sam Moore.
On the CD, Moore is joined by the likes of Bruce Springsteen, Travis Tritt,
Paul Rodgers, Mariah Carey (as usual, warbling high notes that we could have
done withoutâŚoh donât get me started on Carey and her breast-implanted
ilk!) Zucchero, to name a few. Moore has never sounded better â these
younger guys and gals work just to keep up with him. For the most part, they
do. Songs like the opening track, âI Canât Stand The Rain,â
âLookinâ For A Love (with Jon Bon Jovi), and the sheer brilliance
of âNone of Us Are Free,â featuring Sting and Shelia E, are the
standouts on this 12-song collection.
If I have any criticism it would simply be that I want moreâŚmore Sam
Moore that is! The addition of Sting, Carey, and all the other big stars make
this CD a solid commercial effort. Nobody can blame the powers that be with
wanting to make an album thatâs sells (read the inside bookletâs
liner notes to get a taste of how badly the music business has treated this
guy), but on many of the songs, Moore is so gracious he really lets his colleagues
shine, sometime to his detriment. The only song where I feel I really hear a
lot of Mooreâs vocals is on âNone Of Us Are Free,â where Sting
is smart enough to sit back, do his thing, but most importantly not overshadow
Moore when he does his thing.
Overnight Sensation, which Sam Moore certainly isnât,
is a solid, up tempo piece of work. Another item to note is that this is the
last project the late Billy Preston contributed toâŚat least to some degree.
The CD is dedicated to the only musician the Beatles ever truly let into the
studio (and on stage/roof for their final live performance). In a fitting tribute,
the last song on the album is the Preston (along with Bruce Fisher) penned,
âYou Are So Beautifulâ with olâ Eric âSlowhandâ
Clapton himself adding a few tasty licks. Endings donât get any sweeter.
~ Ralph Greco, Jr.












