Willy DeVille | Come A Little Bit Closer: The Best Of Willy DeVille

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A live CD spanning the years 1977-2005, Come A Little Closer: The
Best Of Willy DeVille
showcases the unique singer, songwriter and
guitarist performing songs from his Mink DeVille band days as well as solo material.
Taken from concerts recorded in Amsterdam, Montreux, Nijmegen and Berlin, this
is a true ‘best of’ from one of the most arresting voices rock has
ever produced.

A deep guitar feedback leads into the opening rolling bass of “Venus
of Avenue D.” On to “Savoir Faire,” which features Deville
and his tighter-than-tight band in sync and struttin’ (as the CD booklet
outlines, DeVille worked with some heavy players throughout his career). “Just
To Walk That Little Girl Home,” a romantic heart-tugger, is one of the
best songs of this 17-song collection. At times, the sax and DeVille’s
voice from the earlier recordings remind me of old Southside Johnny and The
Asbury Jukes. Guys like DeVille and Southside have these lower, romantic voices
that instantly lull you into imagined seaside cafés and street scenes.

Dewille is at his best on the seemingly Spanish-influenced love songs like
“”Mixed Up, Shook Up Girl” and “Little Girl.”
He also has the ability to turn things on their ear, as he does on a very low-register
piano lush version of Brian Ferry’s “Slave To Love,” another
sparkling highlight. There are those kicking horns in the salsa-flavored “Demasiado
Corazon (Too Much Heart),” and a piano-based, gospel version of “Storybook
Love” (a song DeVille co-wrote with Dire Straits’ Mark Knopfler
for the film, The Princess Bride ). A violin goes wacky on a slicing take of
“Hey Joe,” even if DeVille’s voice is sounding a little rough.
Of course, the talkin’ percussion push of “Cadillac Walk”
is here too, with its nasty slide. The CD ends with DeVille doing his best Lou
Reed on his signature “Spanish Stroll.” Bottom line: If you love
great songs, you owe it to yourself to snatch up Come A Little Closer:
The Best Of Willy DeVille
.

~ Ralph Greco, Jr.


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