Journey To The Centre Of
The Earth
The Legend
Live From Buenos Aires
Rick
Wakeman
Out of all the classic rockers who have harnessed the power of the digital
versatile disc (DVD), none have been quite as prolific as virtuoso keyboardist
Rick Wakeman. With a recorded legacy already bursting at the seams, Wakeman's
extraordinary career has been faithfully documented over three recently re-released
DVDs from Classic Pictures: Journey To The Centre Of The Earth,
The Legend, and Live From Buenos Aires. Each disc
takes full advantage of the format, enlisting comprehensive and flashy menus
for track selections and a variety of ample sundries. Now that Wakeman is back
on the frontlines with Yes, there has never been a better time to get acquainted
with one of rock's most musically accomplished and charismatic characters.
Despite its somewhat primitive cinematography (even the director's assistant
puts in a cameo), Journey To The Centre Of The Earth is a show
to behold — for historical reasons as well for an element of pure aplomb.
Filmed on February 4, 1975 at the Sydney Myer Music Bowl in Melbourne, Australia,
in front of 30,000 people, Wakeman, donning a cape no less, was on a mission
to move mountains, adapting classic stories like the Jules Verne novel and wrapping
them around progressive pretentiousness of the first order. The centerpiece
— which includes an early edition of the English Rock Ensemble along with
the Melbourne Philharmonic Orchestra (conducted by Verdon Williams), the Melbourne
Chamber Choir and a hip-looking narrator (!) — is sandwiched in between
selections from Wakeman's other two opuses: The Six Wives Of Henry VIII
and The Myths And Legends Of King Arthur And The Knights Of The Round
Table. Together, they capture the pinnacle of the excessive passion
and artistic ambition that Wakeman unabashedly gushed forth. Packaged with a
CD from the very same performance (just in case the television is on the frits)
Journey To The Centre Of The Earth is an intriguing spread
for the curious and fans of old. Younger people might think the whole thing
is a complete farce ala Spinal Tap. But hey — it was entertainment back
then.
Fast-forward 25 years and The Legend finds the master in a
completely different setting. Filmed within the intimate confines of Marlborough
College in Marlborough, England, Wakeman goes it alone, playing favorites, Yes
and Beatles covers and classical pieces tempered with witty banter to boot.
While it occasionally meanders into a sort of new age haze, watching Wakeman
work the crowd as a performer, showman and player is an amazing and invigorating
spectacle (he puts a whole new spin on nursery rhymes). Six additional audio-only
songs fill out the DVD. Among these is an instrumental version of "Morning
Has Broken," the Cat Stevens hit that Wakeman originally embellished as
a hired hand. The DVD also includes an all-inclusive biography and a delightful
pictorial chronicling the musician's multi-layered occupation. The bonus CD
replicates the concert and includes an extra track, "Merlin the Magician."
Live From Buenos Aires finds Wakeman accompanied by the newest
edition of the English Rock Ensemble for a lively 2001 concert at the Gran Rex
Theatre in Buenos Aires, Argentina. Offering the best of the three, in terms
of quality audio and video, the concert covers the gamut, along with a strapping
crack at "Starship Trooper." Even as some of the band members seem
mildly out of place, Wakeman's son Adam is a chip off the old block when it
comes to holding his own as a keyboardist. Aside from the random sampling of
songs, the DVD's other redeeming quality may be the reaction the band gets from
its South American audience. Elsewhere, Wakeman's own "Behind The Music"
piggybacks the extras section while the package is bundled with the obligatory
CD. The Official Bootleg, as it's called, is a crude sounding recording
from July 1997 that mischievously makes the whole experience worthwhile. Clearly,
these reissues have left no stone unturned.
~ Shawn Perry
Back To Yes
©Copyright 1997, 2008 Vintage Rock
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